For this study, I wanted to play with depth perception in terms of abstract motifs, and experiment with having the background interrupt the foreground. First I painted 2 layers on the background, then the wooden model in the foreground, and then the texture of the background -- bringing it forward so that it overlaps with the objects. I think if I were to do this in the final painting, I would need to commit to taking chances and experiment more with abstract marks in the foreground so that my marks and themes are consistent throughout the piece.
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