The process:
After the finishing the underpainting, I began to develop the setting:
Originally, the composition involved the top of the circus bus,
and the edge of the trees against the sky.
But after having other's ask me what it was, I decided to take it out of the composition completely and have the figure suspended high in the trees.
I tried to deal with the mass of trees in a way that was more abstract than representational, focusing on patterns and overall shapes.
This is the final piece on the wall at critique:
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